There She Goes Again About Lesbian Love
Hayley Kiyoko wasn't kidding when she sang "girls like girls like boys do." Dearest, marvel and allure between women is nil new — and it's certainly non a novelty, like some media might suggest.
While in that location are countless dear songs and songs nearly relationships featuring heteronormative pronouns, we've compiled a playlist of genre-spanning tracks from queer, lesbian, pansexual and bisexual women who have written and sung about their feelings towards other women. From Janelle Monáe to Male monarch Princess, gloat queer artists and daughter-on-girl love with these thirty songs, beneath.
Baum, "Hot Water"
Baum'south "Hot Water" is an electric ode to the joint excitement and nervousness that comes with discovering ane'due south sexuality. "You await then nice / Tin can I kiss you / Odor like Underground, Teen Spirit," the queer pop upstart opens the track, her vox cradled by a cushion of costly synths. Later, she admits her inexperience on the chorus: "But I've never done much at all… / I'm in hot water."
Gia, "Only a Girl"
Gia's steamy debut unmarried isn't just the artist's personal coming-out letter of the alphabet in pop grade. It'due south also a slow-burning salute to women who love other women everywhere. "Dark eyes, pink lips / Now my heart is racing," the lesbian popular artist sings over a smokescreen of trap beats and electronica. "Just a girl can make me feel this way."
Ames, "Flowers for Anna"
Indie singer-songwriter Ames' mellow "Flowers for Anna" is a heartbreaking and all-also-relatable account of immature, blossoming queer want nearly stifled by the oppression of societal expectations : "I've ever been the weirdo/ With flowers in my hands for Anna/ Her lilliputian blood brother who liked me/ I'd pretend he was her."
Rina Sawayama, "Cherry"
London pop phenom Rina Sawayama's upbeat "Cherry" is all bright, fizzy aughties-era pop on the surface, but below the glossy sheen is an explosive pan/bisexual-awakening anthem for women merely discovering their feelings: "Downwardly the subway, you looked my way/ With your girl gaze, with your girl gaze/ That was the twenty-four hours everything changed."
Asiahn, "Like You lot"
Asiahn is sensual and shine on "Like You," a bittersweet late-night R&B jam that tackles a young adult female's burgeoning feelings for a mysterious baby she meets in the club — even though she's already "got a daughter" dorsum at home. (Don't worry: Asiahn told Billboard she'south not on that cheating vibe.)
King Princess, "Pussy Is God"
Brooklyn-bred King Princess is delightfully candid on "Pussy Is God," a wonderfully subversive lesbian love song that doubles equally a prayer to her lover. The genderqueer artist celebrates her divine same-sexual activity romance over an unexpected synth-pop soundscape, her NSFW hymns punctuated by a funky bassline.
Kelala, "Truth or Cartel"
"Truth or Dare" tin certainly be read as a rumination on queer longing and sexual tension. Over a percussive plane of skittering new wave beats, Kelela sings almost the frail dance between 2 would-be, could-be lovers, growing more confident and determined with each sensual verse.
Beatrice Eli, "Girls"
Swedish alt-popular star Beatrice can't stop thinking about girls on this buzzing electro-pop banger. "I've seen this girl on the Television/ Seen this daughter in the mall/ I see pictures in my head / Of my caput between their legs," Eli sings on the rambunctious, lusty chorus while, elsewhere on the runway, she recounts the way her sixth course teacher'southward long, dark hair, "e'er works getting me angry."
Kehlani, "Dearest"
Kehlani likes her girls just like she likes her honey: sweet. The R&B-pop creative person serenades her lover on this dreamy, low-cal-as-air carol. "All the pretty girls in the world/ Only I'g in this infinite with you," Kehlani sings, her smoky voice floating over a twinkling bed of acoustic guitar chords.
Alyson Stoner, "Fool"
If you lot like taking long walks on the beach with your girlfriend, consider Alyson Stoner'south breezy bop your new summertime dear canticle. The upbeat tune's blithesome music video, which finds the vocaliser-actress kissing her femme lover equally the Malibu waves crash around them, that gives the already sweet song an added feeling of intimacy.
Keeana Kee, "You're Real"
Latvian pop star Keeana Kee describes this sweltering single as a "very passionate lesbian honey (and lust) story," and she's non lying. "You're Real" is pure passion, from the mesmerizing Latin-influenced production to Keeana'southward sincere proclamations to her crush: "You're the concluding thing I wanna lose / You're the thought I wake up to."
L Devine, "Daughter"
On "Daughter," English language artist 50 Devine expresses her romantic devotion past speaking to her lover's mother, who doesn't quite accept her girl'southward sexuality. Gear up over a dreamy synth-pop soundscape, it's a tender, compassionate love song that captures the circuitous challenges that come with having to navigate the unaccepting family of one'southward partner. It's emotional and hopeful all at once.
Giddy Fae, "Her"
Queer artist Dizzy Fae opens up about the first time she experienced falling for another woman on "Her," a woozy, sensual piece of alt-R&B that explores the unavoidable vulnerability that comes with falling in love. Giddy's fluttering vibrato is bewitching as she sings almost discovering the expansiveness of her blossoming sexuality.
Studio Killers, "Jenny"
Studio Killers' Cherry wants to "ruin" her friendship with the titular "Jenny" on this humid Europop-meets-EDM affair. Over a summery Mediterranean groove, the frontwoman admits her not-then-platonic feelings towards her bestie, declaring, "We should be lovers instead."
Girl in Cherry-red, "I Wanna Be Your Girlfriend"
Norwegian sleeping room popular musician Girl in Cherry-red, a.k.a. Marie Ulven, weaves a bittersweet confessional about teenage queer romance on this fuzzy indie-stone ditty virtually unrequited love. "I don't wanna exist your friend, I wanna osculation your lips," Ulven sings nigh a girl named Hannah on the achy-breaky chorus, which sounds like it was ripped straight out the pages of her diary.
Tegan and Sara, "Closer"
Twin sister duo Tegan and Sara, both openly gay, revel in getting "closer" with their respective lovers on this uplifting, boisterous electro canticle. It'south a glittery dance floor banger that celebrates love in all its colorful iterations.
Mary Lambert, "I'd Be Your Wife"
Mary Lambert is mannerly and infatuated on this sweet indie-popular tune. "Information technology started with a feeling, then you had me dreaming/ Now you never leave my side/ And so tin yous give us a try?/ 'Cause I'd be your wife," she coos sincerely over a flurry of acoustic guitar chords and a twinkling melody.
Lucy Whittaker, "Curious"
A thumping beat out and skittering synths parallel the restless fluttering of Lucy Whittaker's heart on this electro-pop bop about badly wanting to steal away a boy's girlfriend from him. The London-based vocalizer's crystalline vocals explode on the lush chorus, which captures the thrilling rush of both falling for someone and existence curious about your sexuality.
Janelle Monáe, "Brand Me Feel"
Self-proclaimed "free-ass motherfucker" Janelle Monáe, who publicly identified equally pansexual in 2018, delivered an instant anthem for bi/pan women everywhere when she released the music video for "Make Me Feel," which featured the pop star crawling betwixt women's legs and grinding upwards on both a male and female honey interest (the latter beingness Tessa Thompson) under pointed bisexual lighting. It was a powerful message of solidarity for anyone who's ever felt themselves unable to contain the fluidity of their sexual attraction, with Monáe right at that place with them, singing her heart out over a deliciously wobbly beat: "Babe, don't make me spell it out for you lot/ All of the feelings that I've got for you lot/ Tin can't be explained, but I can try for you."
Zolita, "Like Sky"
Emerging alt-pop artist Zolita, who openly identifies equally a lesbian, is insatiable on this dark, synth-drenched song virtually sensuality, longing, and embracing ane's true desires, the judgment of others be damned: "The weight of their eyes can't bring the states downwards/ Tin't stop staring when we're effectually/ Buss on the subway, we're heading to my place/ And I've been waiting all mean solar day, now your brim be on my confront."
Emily Burns and Olivia Nelson, "Vanilla Sundae"
British singer-songwriter Emily Burns' "Vanilla Sundae" is a same-sexual practice folk-pop duet that finds Burns and R&B artist Olivia Nelson trading verses and harmonizing about an endless lazy Sunday spent together. "Come, let's talk nearly it now, girl / I can't live without it… / Don't wanna try another flavor, I desire you lot," the 2 croon sweetly on the rails, which feels more like a warm, toasty cinnamon bun than its titular dank dessert.
Hayley Kiyoko, "Girls Like Girls"
Hayley Kiyoko pines over another immature woman on this emotive synth-pop anthem most queer dearest. While the accompanying music video is equal parts heartbreaking and cinematic, Kiyoko'south lyrics normalizing same-sex romance are mighty powerful: "Girls like girls like boys do/ Nix new."
Beth Ditto, "Love in Real Life"
Queer music icon Beth Ditto sings about unconditional, no frills beloved on this sweeping, synth-assisted Southern rock tune off her albumSimulated Sugar. "Cypher e'er is perfect/ In that location'southward the good and the bad/ Though it'due south never on purpose/ Sometimes I make you lot sad," she warbles, celebrating both the ups and downs that come with being in a relationship.
Halsey ft. Lauren Jauregui, "Strangers"
Halsey'southward first song to use explicitly female subject area pronouns, "Strangers" finds the hopeless fountain kingdom artist and Lauren Jauregui, two of pop's openly bisexual stars, trading verses over a lush soundscape of pulsating '80s new moving ridge beats. Cushioned within the swirling synths, the 2 women sing of the heartache, frustration, and animalism bursting from a seemingly doomed human relationship.
Melissa Etheridge, "Come up to Window"
The music icon's first unmarried released after coming out as a lesbian in 1993, for decades "Come to My Window" has been rightfully recognized as a queer anthem. "I don't care what they remember/ I don't intendance what they say/ What do they know about this honey," Melissa Etheridge belts on the rock classic's bridge, powerfully brushing off anyone who doesn't recognize her relationship with her girlfriend as valid.
Kodie Shane, "Sing to Her"
Kodie Shane is all effortless swag and sexual conviction on "Sing to Her," a neon-tinged club banger that finds the Atlanta rapper boasting about her ability to seduce a dear involvement through her vocal prowess. Using generous female pronouns, Shane makes it clear exactly who she's interested in romancing, gleefully appropriating the bold self-assurance so often associated exclusively with cishet men — proving, in the process, that romantic assertiveness is not gendered.
G.D. Lang, "Constant Peckish"
Canadian vocalist-songwriter Chiliad.D. Lang came out as gay the year she released this hypnotizing, Grammy-winning soft stone unmarried in 1992. (Religious groups picketed outside the Grammy Awards the twelvemonth the song won.) Since its release, the vocal has go an unofficial anthem for queer longing (or craving, rather), also as the existential search for authenticity and self-acceptance.
Japanese Firm, "Lilo"
There's nothing more natural than beloved. The Japanese House, a.k.a. Amber Bain, explores this on "Lilo," a warm, tempered synth-ballad that shimmers like sunlight glinting off a pool. The video, which stars Bain's existent-life girlfriend at the time, captures the effortless cyclical flow of a relationship — from the mundane to the extraordinary, it all feels and then piece of cake.
LP, "Girls Go Wild"
Recorded in Joshua Tree when indie-rock vocalist-songwriter LP was "having some problem with [her] girlfriend," "Girls Go Wild" is a sun-kissed yet angsty jam that tackles the circuitous intersections betwixt dearest, insecurity, devotion and uncertainty. No relationships are perfect, and LP's track is a nuanced look at a couple at the cease of their tether.
Rita Ora, "Girls"
Though dogged by controversy surrounding lyrics some in the LGBTQ community accounted problematic upon its release, Rita Ora'southward "Girls," a collaboration betwixt her, Bebe Rexha, Cardi B and Charli XCX, certainly captures the lived truths of some gay and bi/pan women. (Subsequently all, queerness largely exists on a spectrum, and every experience is dissimilar.) In response to the backfire, Ora, who has had "romantic relationships with women and men," wrote that the song "was written to respect my truth and is an accurate business relationship of a very existent and honest experience in my life."
For more than stories well-nigh the LGBTQ community and our fiercest allies, follow Billboard Pride on Facebook, Twitter and Instagram.
Source: https://www.billboard.com/culture/pride/lesbian-love-best-songs-playlist-7972931/
0 Response to "There She Goes Again About Lesbian Love"
Post a Comment